2006 MFA, The International Center of Photography/Bard Program for Advanced Photographic
Studies, New York
1998 BA, Bard College, Annandale-on-Hudson, New York
1993-94 SUNY Purchase, White Plains, New York
SELECTED SOLO EXHIBITIONS
2009
M+B Gallery, Los Angeles
2008
«Startled Birds», SCOPE Art Fair, Miami, Florida
2007
«Somerset County,» Jack The Pelican Presents, Brooklyn, New York
2006
«Sun City», Marty Walker Gallery, Dallas, Texas
«We Ride At Dawn», ICP/Bard Gallery, Long Island City, New York
SELECTED GROUP EXHIBITIONS
2008
«The World Is All, That Is The Case,» Hudson Franklin, New York, New York, curated by Arthur Ou
«The Allegory of the Mountain,» Mahan Gallery, Columbus, Ohia
«Things Are Strange,» New Century Artists, New York, New York
«Group Hug,» Marty Walker Gallery, Dallas, Texas
2007
«The Interactive Landscape», Mount Tremper Arts Festival, Mount Tremper, New York
«UNSEEN», Arnhem Mode Bienniale, Arnhem, The Netherlands
2005
«Art + Commerce Festival of Emerging Photographers», The Tobacco Warehouse, Brooklyn, New York,
curated by Charlotte Cotton
«MFA Group Show,» The International Center of Photography, New York, New York
2003
«The New Print,» Santa Fe Center for Creative Arts, Santa Fe, New Mexico
2007
«Somerset County,» Time Out New York, Issue #618
«Levitation,» Libération, edition #8166
«Just Can't Get Enough,» Capricious Magazine, #6
Standard Magazine #17, 2007
2006
«Don't Call US Call Them,» Marmalade Magazine, Issue 10
Boas, Natasha, «Art School Photography,» Domino Magazine, Vol. 2, Issue 5
Martin, Merritt, «Bitchin' Camaro,» Dallas Observer, Dec 28
2005
Moneypenny, Matthew, PEEK, A+C Exhibition Catalogue
Fineman, Mia, «Bright Young Things,» V Magazine, Issue 37
Domino Magazine, «Art School Photography», 2006
2004
Feliciana, Kristina, «PDN's 30,» Photo District News
AWARDS
2004 Photo District News «30 New And Emerging Photographers»
1998 John Bard Award for Excellence in Photography, Bard College, Annandale-on- Hudson, NY
Foam Fotografiemuseum Amsterdam and Pioneer Works Center for Art and Innovation proudly present Under Construction – New Positions in American Photography, a group exhibition featuring ten young American and Canadian visual artists who are all explicitly engaged in a fundamental reassessment of the value and significance of photography in the early 21st century. Even though the results of the artists' individual practices are very diverse, the mentality, methodology and presentation of their work show a number of remarkable similarities. A key characteristic is the investigative attitude they adopt in looking at the photographic image and its representation. This exhibition was first shown at Foam in Amsterdam in the fall of 2014.
The far-reaching digitisation of society exerts an unparalleled influence on a...
Avec The Americana, M+B et Colette présentent une exposition qui célèbre l'Amerique, avec des artistes dont le travail va de la photo documentaire, mettant en lumière des moments-clés du 20ème siècle, à des œuvres contemporaines plus conceptuelles. En creux, l'exposition montre donc l'évolution de la photographie et de l'art américain depuis les années 1950.
Les travaux de Lisa Jack, Le Roy Grannis, Hugh Holland, Joseph Szabo et Hunter S. Thompson sont une vitrine des mouvements des années 1960-70. Grannis et Holland ont choisi comme forme de rebellion le surf et le skate, symboles de la côte Ouest américaine. Szabo, leur homologue de la côte Est, et son travail sur la Jonas Beach des 70s, i...
M+B is pleased to announce an exhibition of new work by Matthew Porter titled High Lonesome, running from December 12, 2009 to January 23, 2010.
The exhibition contains 18 photographs, varying in size and sometimes clustered together in a seemingly inchoate mass. But two themes persist: the American West and the Hindenburg. The show is an attempt at historical mash-up, bringing together romantic imagery of cowboys and zeppelins. Both subjects are iconic, yet their reputations have been soured by facts, as history overtakes myth. The Hindenburg, which began its life as the fountainhead of German creative and entrepreneurial vision, ended in a fiery death under the dark shroud of Nazi propaganda. As a romantic symbol it has been spoiled, much like the history of the American West—you can’t watch ...