Lorna Macintyre
#Photographe
- Exposition
Kasper Akhøj, Evelyne Axell & Lorna Macintyre at WIELS Contemporary Art Centre
Kasper Akhøj After the Fair
Angelique Campens has chosen Danish artist Kasper Akhøj (b. 1976). For his first solo exhibition in Belgium, After the Fair, Akhøj will present a number of his research-based works incorporating photography, slide projections and sculptural installation. Starting out somewhere not so distant from the testimony gathering and fact-finding methods of a historian, combined with an element of chance, the works in the exhibition propose a counterpoint to previously registered stories of modern architecture and design. Through an accumulation of collected narratives, historical layers, associations, digressions and formal play, Akhøj arrives at a reconfiguration of significant but lesser known architectural endeavors which have been sidelined merely by force of circumstan... - Exposition
Form and Freedom - Lorna Macintyre
The first institutional solo exhibition of Lorna Macintyre (born 1977 in Glasgow) in Switzerland bears the title Form and Freedom, a wording which is taken from the book I Wanted To Write A Poem: The Autobiography of the Works of a Poet by the American poet William Carlos Williams (1883-1963). In 2007, the artist completed the MFA at Glasgow School of Art during which she spent a semester at Hunter College in New York. With solo exhibitions at Transmission Gallery, Glasgow, at the ICA in London, with periodic representations in the galleries Kamm, Berlin and Mary Mary, Glasgow and her participation in many international group exhibitions, Macintyre has been the subject of much recent attention.
In the work of Macintyre, there is the interplay of sculptures, installations, found objects from nature, simple everyday obj... - Exposition
Shadows of Forgotten Ancestors
Shadows of Forgotten Ancestors est le titre du premier film majeur de Sergei PARAJANOV (1924-1990), qui en 1964 révéla le cinéaste et artiste soviétique d'origine arménienne à la fois dans son pays et auprès de la critique internationale.
Relatant l'histoire dramatique de paysans dans les Carpates ukrainiennes, ce long métrage est à la fois un précieux témoignage ethnographique et un chef-d'œuvre d'innovation formelle. Rompant radicalement avec les normes esthétiques et thématiques du réalisme socialiste en vigueur, PARAJANOV y développe sa vision poétique à travers une palette d'expérimentations, de l'utilisation de la couleur pour exprimer des sentiments comme le combat contre la destin&e...
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Kasper Akhøj After the Fair
Angelique Campens has chosen Danish artist Kasper Akhøj (b. 1976). For his first solo exhibition in Belgium, After the Fair, Akhøj will present a number of his research-based works incorporating photography, slide projections and sculptural installation. Starting out somewhere not so distant from the testimony gathering and fact-finding methods of a historian, combined with an element of chance, the works in the exhibition propose a counterpoint to previously registered stories of modern architecture and design. Through an accumulation of collected narratives, historical layers, associations, digressions and formal play, Akhøj arrives at a reconfiguration of significant but lesser known architectural endeavors which have been sidelined merely by force of circumstan...
The first institutional solo exhibition of Lorna Macintyre (born 1977 in Glasgow) in Switzerland bears the title Form and Freedom, a wording which is taken from the book I Wanted To Write A Poem: The Autobiography of the Works of a Poet by the American poet William Carlos Williams (1883-1963). In 2007, the artist completed the MFA at Glasgow School of Art during which she spent a semester at Hunter College in New York. With solo exhibitions at Transmission Gallery, Glasgow, at the ICA in London, with periodic representations in the galleries Kamm, Berlin and Mary Mary, Glasgow and her participation in many international group exhibitions, Macintyre has been the subject of much recent attention.
In the work of Macintyre, there is the interplay of sculptures, installations, found objects from nature, simple everyday obj...
Shadows of Forgotten Ancestors est le titre du premier film majeur de Sergei PARAJANOV (1924-1990), qui en 1964 révéla le cinéaste et artiste soviétique d'origine arménienne à la fois dans son pays et auprès de la critique internationale.
Relatant l'histoire dramatique de paysans dans les Carpates ukrainiennes, ce long métrage est à la fois un précieux témoignage ethnographique et un chef-d'œuvre d'innovation formelle. Rompant radicalement avec les normes esthétiques et thématiques du réalisme socialiste en vigueur, PARAJANOV y développe sa vision poétique à travers une palette d'expérimentations, de l'utilisation de la couleur pour exprimer des sentiments comme le combat contre la destin&e...