- Exposition
FORMA presents "Fashion, A century of extraordinary fashion photography" from the Condé Nast archives
On Wednesday, January 16, 2013, at 6:30PM, the Fondazione Forma per la Fotografia, will present the opening of the exhibit Fashion. A century of extraordinary photography from the Condé Nast archives.
“We have to make Vogue into a Louvre.”
Edward Steichen to Edna Woodman Chase, 1920s
These words said by Steichen to the first editor in chief of Vogue aptly summarized the revolution started by Condé Nast, both in fashion as well as in photography more generally, when the publisher acquired the prestigious Vogue masthead in 1909. From then on, the story of fashion was no longer told exclusively in delicate nineteenth-century illustrations, but also by great international photographers with creative license. Edward Steichen was one of the first photographer to shoot for Vogue, accepti... - Exposition
Les Docks - Cité de la mode et du design présente « Mannequin - le corps de la mode »
Le mannequin est un acteur essentiel de la diffusion de la mode. Créé par et pour elle, il incarne les contradictions d’une industrie tiraillée entre création et commerce, dont l’une des principales activités est de produire des images. Des premières photographies du XIXe siècle aux pages de magazines, des publicités aux vidéos, le mannequin est reproduit à l’infini.
Initialement produite par les Rencontres d’Arles pour l’édition 2012, l’exposition Mannequin - le corps de la mode a remporté un vif succès que Galliera prolonge aujourd’hui à Paris dans le cadre de son programme hors-les-murs aux Docks - Cité de la Mode et du Design.
Près de 120 tirages &ndas... - Exposition
Not in Fashion Photography and Fashion in the 90s
Not in Fashion. Fashion and Photography in the 90s is the title of the new special exhibition at MMK Museum für Moderne Kunst. As the title already indicates the focus here is not on the glamorous fashion world of the rich and the beautiful. On the contrary, the show at MMK presents an anti-movement that in the 1990s consciously ran counter to the images of prêt-à-porter, haute couture and the mainstream fashion magazines. Especially in the first half of the decade, designers, stylists and photographers dedicated themselves to giving fashion strong roots in society not just as an industry with a feeling for the zeitgeist, but as an artistic form of expression and as a "politics of the body". Thus, fashion in the 1990s covered substantially more than the latest collections brought out by the in...
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On Wednesday, January 16, 2013, at 6:30PM, the Fondazione Forma per la Fotografia, will present the opening of the exhibit Fashion. A century of extraordinary photography from the Condé Nast archives.
“We have to make Vogue into a Louvre.”
Edward Steichen to Edna Woodman Chase, 1920s
These words said by Steichen to the first editor in chief of Vogue aptly summarized the revolution started by Condé Nast, both in fashion as well as in photography more generally, when the publisher acquired the prestigious Vogue masthead in 1909. From then on, the story of fashion was no longer told exclusively in delicate nineteenth-century illustrations, but also by great international photographers with creative license. Edward Steichen was one of the first photographer to shoot for Vogue, accepti...
Le mannequin est un acteur essentiel de la diffusion de la mode. Créé par et pour elle, il incarne les contradictions d’une industrie tiraillée entre création et commerce, dont l’une des principales activités est de produire des images. Des premières photographies du XIXe siècle aux pages de magazines, des publicités aux vidéos, le mannequin est reproduit à l’infini.
Initialement produite par les Rencontres d’Arles pour l’édition 2012, l’exposition Mannequin - le corps de la mode a remporté un vif succès que Galliera prolonge aujourd’hui à Paris dans le cadre de son programme hors-les-murs aux Docks - Cité de la Mode et du Design.
Près de 120 tirages &ndas...
Not in Fashion. Fashion and Photography in the 90s is the title of the new special exhibition at MMK Museum für Moderne Kunst. As the title already indicates the focus here is not on the glamorous fashion world of the rich and the beautiful. On the contrary, the show at MMK presents an anti-movement that in the 1990s consciously ran counter to the images of prêt-à-porter, haute couture and the mainstream fashion magazines. Especially in the first half of the decade, designers, stylists and photographers dedicated themselves to giving fashion strong roots in society not just as an industry with a feeling for the zeitgeist, but as an artistic form of expression and as a "politics of the body". Thus, fashion in the 1990s covered substantially more than the latest collections brought out by the in...